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North Park offers more than 40 graduate and undergraduate programs in liberal arts, sciences, and professional studies. Classes average 17 students. 84% of our faculty have terminal degrees. Academics here are rigorous and results-oriented.
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The Office of Alumni Engagement fosters lifelong connections by engaging alumni with the university and one another in activities, programs, and services that support the university鈥檚 mission and alumni needs.
Pam Bozeman-Evans is Passionate 萝莉社 Helping Others Discover Their Passions
Pam Bozeman-Evans, Senior Director of Career Development and Internships at 萝莉社
There’s “no benefit to being risk-averse” as a college student, according to the new senior director for career development and internships
CHICAGO (April 3, 2014) — Pamela Bozeman-Evans has big dreams for 萝莉社 students.
She came to the University this spring as the new senior director for the and is using her background in nonprofit, community organizing, and higher education to better position North Park students in a highly competitive workplace. “Families make a tremendous investment in their children’s education and our office will invest our best resources in connecting graduates to employment opportunities,” she says.
Most recently, Bozeman-Evans spent nearly five years as chief operating officer and chief of strategic initiatives for YWCA Metropolitan Chicago. She has a bachelor’s degree in political science and a master’s in public administration, both from Northern Illinois University.
She says she is grateful for each of her educational and professional experiences that allowed her to focus her career on her core values—the city of Chicago, economic stability for women and children, poverty alleviation, and eliminating racism. She credits her maternal grandmother with asking a question that helped shape her career trajectory: “What good is it to say you’re a good person if you don’t do good things?”
Bozeman-Evans is bringing this question to North Park’s career services, encouraging students to dream big about how their career paths can reflect their passions and values. She says she wants the Office of Career Development and Internships to be a place that “challenges young adult scholars to solve tough social problems.”
This department, a part of the University’s , provides opportunities that include major and career exploration, soft skill development, professional assessments, mock interviews, , and . While they have been focused mainly on , Bozeman-Evans is leading her staff in developing programs for , , , and .
Resumes begin in high school
According to Bozeman-Evans, resumes are documents that grow and change with every new experience, beginning in high school, and reflecting activities and experiences that showcase a person’s talent, passion, and goals. Her goal, she say, is to institutionalize this idea by asking that all students come to 萝莉社 with a resume, no matter how small or sparse, and consciously work on adding experiences that include job shadowing, volunteering, site visits to organizations, both for-credit and non-credit internships, and employment prior to graduation.
Bozeman-Evans and the staff in the Office of Career Development and Internships are ready to assist students in finding opportunities in all of these categories. “We’d like to use a student’s resume, starting at the very beginning of their time at North Park, and work with them to build it year over year, so they are better prepared for whatever direction they want to go in,” Bozeman-Evans said.
“Career development and internships are co-curricular endeavors,” she added, “and North Park has known this for a while. Faculty get it, support it, and figure out ways to integrate the work that we do into the work that they do.”
“Chicago is our classroom”
Drawing on her passion for the city, Bozeman-Evans also wants her office to help North Park students see the city as a classroom. Drawing on that idea, Bozeman-Evans asks, “How can we get our students to see the world through the rich diversity of the city? We have 77 different neighborhoods in Chicago, and each one has an important lesson in history, social studies, economics, languages, and culture. The opportunities for partnership and service learning are endless.”
Now is the time to take risks
According to Bozeman-Evans, college is like no other in a person’s life, often free of limitations that older adults face. Students can explore new ideas, take chances, fail, and grow, she says.
“There’s a lot of pressure for young people to rush to decide on a major, career, and even start a family,” Bozeman-Evans said. “While it’s important to get started, we also realize that students need to take the time to explore their interests, hone their skills, and then match the two so that they can make a living and have a life.”
“We want to help students grow through diverse experiences without knowing every possible outcome,” she added. “This is a time in one’s life when there’s no benefit to being risk-averse.”
Richard Webster, Bach Week Festival music director, conducted one of the concerts held at 萝莉社 during the 2013 festival. Bach Week returns to North Park May 2 and 4, 2014.
CHICAGO (March 28, 2014) — 萝莉社 will welcome the to its campus in May, making this the second consecutive year that the institution has taken an active role in the Chicago area’s annual two-week celebration of Baroque composer Johann Sebastian Bach.
The University’s , a student ensemble specializing in Renaissance and Baroque music, and four 萝莉社 musicians will join other internationally renowned performers at two concerts scheduled for May 2 and 4 in the campus’ Anderson Chapel. The two North Park performances will represent the final concerts in the 2014 series, which for more than 40 years has been one of the Midwest’s premier classical music festivals. Other concerts, scheduled for April 25, will be in Evanston.
“We are delighted to be able to offer this wonderful opportunity to our students and to the community,” said , dean of North Park’s . ”Part of the school’s vision from the very beginning has been to provide our student ensembles the opportunity to perform with professionals in the field.”
The May 2 concert will feature North Park organist Margaret Martin, who will perform with her husband Christopher Martin, principal trumpet of the Chicago Symphony Orchestra, playing Bach’s Concerto in D Major, BWV 972, a piece never before played at the festival. The Martins also performed in last year’s concert on the North Park campus.
The evening’s repertoire will also include Sonata in e minor for violin, BWV 1023, featuring violin soloist Renee-Paule Gauthier, who teaches violin at North Park, and Brandenburg Concerto No. 6 in B flat Major, BWV 1051, with Claudia Lasareff-Mironoff, North Park viola instructor and director of chamber music, and Roger Chase as viola soloists; and Cantata: Vergnügte Ruh, beliebte Seelenlust, BWV 1.
The May 4 concert will feature a soprano solo by , professor of music and director of choral activities at North Park, in the performance of the G-Major Mass and Cantata, BWV 50. The Chamber Singers, a select University ensemble that includes both graduate and undergraduate students, will join the Festival Chorus for that performance.
The participating North Park are highly accomplished in their fields. Gauthier was named “one the best upcoming violinists of the new generation” in the book Violin Virtuosos, from Paganini to the 21st Century; she is also principal second violin with the Chicago Chamber Orchestra and the Northwest Indiana Symphony. Lasareff-Mironoff has played principal viola with the Chicago Sinfonietta, the Chicago Opera Theater, and the Joffrey Ballet. Davids directs the Chamber Singers and University Choir, and is a founding member of the Canadian Chamber Choir. Bach Week musical performers—both vocalists and instrumentalists—are invited from various high-profile musical groups in and around Chicago, including the Lyric Opera and the Chicago Symphony Orchestra, as well as musicians from out of town.
Bach Week a good fit for North Park
The annual Bach celebration, which is in its 41st year, has until recently offered performances only in Evanston. Its original home was St. Luke’s Church; this relationship ended when festival director and conductor Richard Webster left St. Luke’s in 2005 to become music director at Trinity Church in Boston.
“We wanted to keep Bach Week alive but we were essentially a festival without a home,” Webster said, adding that they rented performing space in Evanston as a venue for their concerts. “We had been casting around for a new home when I learned that my good friend and college roommate, Craig Johnson, had become dean of the music school at North Park.” Webster said he had long been familiar with North Park and with its music programs and approached Johnson about a partnership.
“It’s been exactly the right thing for the festival,” he says. “It brings us a much larger community of students, alumni, and friends to support Bach Week. Last year, we filled Anderson Chapel with a standing-room-only audience and hope to do the same this year.”
The School of Music has been an integral part of North Park since the University’s earliest days. Johnson credits the institution’s close connection with the —which has long made music a large part of its tradition—for the fact that music has always figured so prominently in North Park’s history and academic offerings. While the Bach Festival is one of the institution’s musical highlights, North Park offers instrumental, vocal, and operatic concerts for the community .
The school, which has eight and about 40 —most of whom are seasoned musicians—offers , including a BA with four specialty concentrations, and a .
“We’re very excited about our collaboration with the Bach Week Festival and happy to bring these concerts to our campus,” Johnson said. “It’s a wonderful opportunity for our students to enjoy high-level music right on our own campus, and the concerts help expand our reach to our alumni and to the community.”
Tickets for each concert are $30 for adults, $20 for seniors, and $10 for students with ID. They may be purchased online or by calling (800) 838-3006.
Axelson Center's Symposium Propels Nonprofits Forward with 'Next Practices'
Registration available for two-day conference featuring keynote speaker Peter Buffett
CHICAGO (March 27, 2014) — is now open for the 15th Annual Symposium for Nonprofit Professionals and Volunteers, a two-day event for nonprofit managers, leaders, and supporters from across the Midwest. This year's Symposium programming looks beyond best practices to explore "Next Practices" for nonprofit organizations, and features a powerful performance by musician and NoVo Foundation co-chair Peter Buffett, son of Warren Buffett.
The , which will be held June 2-3, 2014, at the Hyatt Regency in downtown Chicago, marks the 15th anniversary of this signature event hosted by 萝莉社's Axelson Center for Nonprofit Management. It also marks 15 years of the Center providing valuable resources and outstanding learning opportunities to enhance the performance and effectiveness of individuals and organizations in the nonprofit sector.
Executive directors, fundraising and marketing professionals, volunteers and board members, and program managers and frontline staff will all benefit from attending the Symposium. In addition to timely program content that looks beyond best practices to next practices in nonprofit management, the event is an opportunity to connect with other nonprofit leaders from across the sector. Symposium attendees represent a diverse spectrum of nonprofit organizations, including, but not limited to health and medical organizations, educational institutions, social services, animal welfare groups, churches and other religious affiliations, associations, libraries and foundations.
The event kicks off on Monday, June 2, with a full day pre-conference institute focusing on human capital, leveraging people as an organization’s most valuable resource. An opening keynote, "Human Capital: The Third Bottom Line," presented by Kay Sprinkel Grace of Transforming Philanthropy, LLC, will set the stage for the day’s conversations. Next, Pepper Miller of The Hunter-Miller Group will examine the importance of strategic relationships and the value of effective targeting to diverse communities in nonprofit communications strategies. After a networking luncheon, a panel of speakers will tackle the important question, "Does Workplace Diversity Matter?" Tony Banout of Interfaith Youth Core, Jim Kales of Aspire of Illinois, and Claude Robinson of UCAN will participate in this conversation, facilitated by Catherine Marsh, professor of business and nonprofit management at 萝莉社. The closing pre-conference session, facilitated by John Davidoff of Davidoff Communications, connects the day's conversations in a discussion of "Mission-Driven Human Capital."
The Symposium day, Tuesday, June 3, features more than a dozen sessions in critical areas of next practices: cultivating resources, broadening your organization's reach, civic engagement, entrepreneurial solutions, innovation, and organizational health and sustainability. The opening keynote features Mae Hong, director at Rockefeller Philanthropy Advisors, Terry Mazany, president & CEO of The Chicago Community Trust, John W. Rogers. Jr., chairman & CEO of Ariel Investments, and Emra Tranter, former president of Friends of the Parks, discussing next practices in board governance and corporate engagement in nonprofit boards.
The day concludes with "Life is What You Make It: A Concert & Conversation with Peter Buffett," a live and interactive multi-media performance recounting Buffett’s personal story, from discovery of the piano through his current philanthropic work with the NoVo Foundation.
Registration is available through Wednesday, May 28: $319 for the Symposium day, $229 for the Pre-Conference day, or $449 for both days. Groups of three or more registering together will save 15 percent on their registration fees. Review the entire event program and register at .
The Symposium day also features a luncheon program where the winners of the and the will be announced and presented. These annual Axelson Center awards recognize outstanding nonprofit management practices and a young nonprofit organization with potential for growth and greater effectiveness, respectively. Learn more about the Alford-Axelson Award and the Excellent Emerging Organization Award at the Axelson Center .
Urban Youth Worker Awards given; early registration through April 2
CHICAGO (March 6, 2014) — On April 5, the will celebrate its tenth year of providing valuable resources and networking opportunities to youth advocates throughout Chicago and the Midwest. The daylong conference, held annually at 萝莉社, serves hundreds of urban pastors, youth leaders, volunteers, social workers, teachers, and parents.
“Reload is a place for urban youth workers to connect and meet with other urban youth workers,” said , associate director of the University’s (CYMS). The conference was established, she said, out of recognition that “there wasn’t necessarily a place for them to go and gather together. Reload highlights what these people are doing so that they can hear each other’s stories, then collaborate or serve as resources for each other.”
At its tenth anniversary, CYMS Director finds the conference more relevant than ever. “Reload is very important to the growing number of urban churches—particularly in the , where many of the churches experiencing growth are urban, multiethnic church plants,” he said.
“This has become a place that people look for in the early spring to come congregate, process, and pray,” said Hodge. “We get people not only from Chicago, but from Wisconsin, the Twin Cities, Detroit, Iowa, and Cincinnati. If you’re interested in working with young adults, you’re going to find something here that is relevant for you.”
When Chicago Reload launched, Burkhardt said, conference planners were uncertain of how many attendees to expect and how best to plan their experiences. “The overwhelming response was, ‘Thank you for providing a place for us to talk to and meet each other,’” said Burkhardt. It’s in that spirit of gratitude that Reload’s tenth anniversary conference seeks to celebrate and recognize youth workers for the servant leadership they demonstrate.
The inaugural Reload Urban Youth Worker Awards will be given at this year’s conference, including the Urban Youth Worker Award, selected from among those nominated by an external committee; the People’s Choice Youth Worker Award, chosen online from among those nominated for the Urban Youth Worker Award; and the Student Leader Award.
“We wanted to be able to highlight people who are doing the work on the ground,” Hodge said of the awards. “Oftentimes in ministry, there’s not necessarily a lot of recognition. So we really wanted to honor leaders and say, ‘Thank you for the work that you’re doing and the service you’re providing.’”
“Youth ministry’s often a thankless job,” Burkhardt agreed. “So this is a celebration of this group of youth workers continuing to push forward in ministry, as well as a look back at the ten years and what has developed and come from it.”
Celebrating and honoring the achievements of youth workers is a theme that will run throughout Reload this year, one reflected in the conference’s , House Covenant Church Pastor Phil Jackson and life coach Justine Conley.
“What’s particularly interesting about our two keynote speakers is that Phil brought the idea of Reload to North Park, and Justine has been on our planning team since that first year,” Burkhardt said. “So this really is coming full circle. Phil is the one who said, ‘We need to do this at North Park.’”
Author Romal Tune will give a pre-conference intensive workshop on Friday, April 4, addressing how current models of youth ministry both succeed and fail at reaching vulnerable teens in the urban context.
More than 20 with a variety of speakers are planned throughout the day, including concurrent sessions and lunchtime forums. Featured workshops include a session on mentoring with gang interventionist and youth advocate Amy Williams; a session on introverts in youth ministry with student Nilwona Nowlin; and a session on work-life balance with the Urban Youth Worker Institute’s Larry Acosta.
“We also have an early-morning workshop track for people who want to get a little something extra at no additional cost,” said Burkhardt. Among the early-morning sessions will be a fundraising workshop led by Director , with the goal of “building connections between youth workers and nonprofit resources,” Burkhardt said.
In addition to the workshop schedule, the conference will include times of worship, featuring University student Leslie Moore leading a Chicago Reload band.
Another new addition to the conference schedule this year will be an optional pre-conference intensive workshop led by author Romal Tune. The session, “Should Christians Act Like Crips? Innovative Approaches for Urban Youth Ministry and Evangelism,” was added as another way to celebrate Chicago Reload’s ten-year anniversary, Hodge said. “This year, we’re extending Reload into an all-day Friday session, so we wanted to bring in Romal.” Tune will address the effectiveness of current models of evangelism aimed at reaching vulnerable teens in the urban context.
Discounted early registration for individuals and groups ends April 2. Walk-in registration is available April 5. Chicago Reload is sponsored by the Center for Youth Ministry Studies, in partnership with the .
Katherine Patterson, a senior from Park Ridge, Ill., is completing a bachelor of science in biology.
Katherine Patterson will spend the summer studying river and watershed biology in Michigan
CHICAGO (March 4, 2014) — A passion for science has opened many doors for senior Katherine Patterson since she began her studies at 萝莉社. This summer, the major will have the opportunity to dig even deeper into her chosen field thanks to the Harold Snyder Fellowship from the . Patterson is the first-ever recipient of this award, which was established in 2013 to .
The Harold Snyder Fellowship award makes it possible for Patterson to take two courses at the institute in the summer of 2014. She earned the fellowship by showing promise and dedication to “do and teach science as an expression of Christian faith and as a commitment to serve and protect God’s earth,” according to the Institute’s press release.
“Dr. Snyder’s mission was ultimately what I want to do as well,” Patterson said. “To teach and inspire students through being in the field, in the wild, amidst the wonder of nature.” She will use the award to take courses in limnology (the study of inland waters) as well as watershed and global development at the institute’s Great Lakes campus in Michigan.
This will be the second summer that Patterson, a Park Ridge, Ill. native, will spend with the Au Sable Institute. In 2013, she studied marine biology and marine mammals at their Puget Sound campus on Whidbey Island in Washington. This hands-on experience, which she found to be “inspiring,” helped her identify that her passion for animals and nature is something she wants to share with others as a career.
“It was last summer that solidified that this is what I want to do and where I want to be,” she said. “I want to teach biology. I want to teach students and people all about God’s creation and how it’s so magnificent and wondrous.”
Patterson came to this realization, in part, through the encouragement and mentoring of her professors. "They've all been very supportive," she said.
, professor of biology, encouraged Patterson to participate in the courses offered by the Au Sable Institute.
“Katie epitomizes the ideals set forth by Harold Snyder,” Vick said. “She is so charismatic and engaged in everything she’s doing. She sees the connections between what she’s learning and experiencing, and is interested in bringing the ideas of science to life.”
The University has had a relationship with the Au Sable Institute for more than 25 years, sending students there for coursework, internships, and research experience. The Institute draws students and faculty from more than 50 Christian colleges and universities across North America, offering biology and environmental education through field courses. “Au Sable is literally a place where faith and learning meet, in a hands-on way,” Vick added. “It’s a natural extension of what we do here at North Park.”
“Students at Au Sable can really grow and have opportunities to broaden their perspectives,” Vick said.
Patterson has continued to take hold of opportunities that will enrich her knowledge and skills to be a successful science educator. The University’s Chicago location makes it possible for her to do things like volunteer at the , where she is an exhibit interpreter. “I stand in front of the exhibits, armed with props, and teach guests about wildlife, about the animals, and about Shedd in general,” she said.
Her faculty advisor, , connected Patterson with an internship in the ’s wildlife department. She is working with a team to track and monitor animals for a variety of purposes, including disease control. “It’s really fun and it’s a great hands-on experience,” Patterson said. “I’m learning a lot of skills that you just can’t learn from a textbook.”
But Patterson is also stepping outside the science arena to enrich her skills and learning. She has been involved in the program since her freshman year—acting, writing, directing, and even designing costumes—and is currently their company manager. She draws strong connections between her loves of science and performance, and envisions using her theatre skills for a career in environmental education.
“Learning about how people interact is more of the humanities side, but I also have the science side, and I love that. I think it brings such an interesting perspective, looking at biology from the side of art and human behavior and how we interact. And looking at interactions from the idea of science—how does that happen, why does this happen? It’s a cool meshwork,” she said.
Following her summer at Au Sable, Patterson will return to North Park for her final semester, graduating with a bachelor of science in biology in December 2014.
Journal of Hip Hop Studies 鈥楲egitimizes Hip Hop and Brings it into a More Serious Conversation鈥�
Dr. Daniel White Hodge
A conversation with Editor-in-Chief Daniel White Hodge
CHICAGO (February 27, 2014) 鈥� The Journal of Hip Hop Studies began as an idea to provide an innovative and unifying force in the field of hip hop studies. , assistant professor of youth ministry and director of the at 萝莉社, organized a national editorial team in 2012 鈥渃ommitted to publishing critically engaged, culturally relevant, and astute analyses of Hip Hop.鈥� After developing a partnership with , a grassroots organization devoted to eliminating the school-to-prison pipeline, Dr. White Hodge and the journal鈥檚 editorial team began accepting submissions and launched the first issue in January 2014. The journal is currently preparing its second issue for release this year, and the team is also working on a special issue on the rise of African hip hop.
The . Dr. White Hodge recently sat down for an extended discussion about the project.
North Park: Why is the Journal of Hip Hop Studies important?
Daniel White Hodge: Hip hop studies is much like what the field of film studies was in the late 70s and early 80s. People asked the question, 鈥榃hy are we going to study film?鈥� Now that鈥檚 almost a moot question. Why not study film and understand it? Aspects of popular culture have really grown over the last 25 years and, with the advent of social media and the Internet, hip hop has really flourished 鈥攖he good, the bad, and the ugly. It hasn鈥檛 been all positive, but it hasn鈥檛 been all negative.
The field of hip hop studies has created a sense of curiosity among scholars. What does it mean to have culture and people groups that didn鈥檛 form in an establishment or a system? Hip hop formed in the boroughs, in the ghettos, in the 鈥榟oods, and under expressways. And scholars, activists, and journalists are trying to figure out what that means. People predicted back in the 80s this is just a fad and it would blow over. It鈥檚 been around for a long time now.
We have a special issue coming out, hopefully in summer, on African hip hop. We鈥檝e got about eight essays from Ghanaians, Kenyans, Nairobians, and South Africans talking about hip hop in their context. For the first time we have a non-U.S. entity becoming bigger than a U.S. entity [in hip hop]. We saw some of this with K-pop and 鈥淕angnam Style.鈥� K-pop is big in Korea and you have emergence in Tokyo, Japan. You have Jewish hip hop, you have Russian hip hop, and all kinds of modes of this [music].
And we鈥檙e all trying to figure out what it means. This journal legitimizes hip hop and brings it into a more serious conversation about the art, the aesthetic, the culture, the people, and of course the theological input.
NP: The first issue launched in January, but the project鈥檚 origins go back further. How did the Journal of Hip Hop Studies come to be?
DWH: I had this idea for a journal back in 2003 when I was in grad school. The field of hip hop studies, which at the time was just a side talk in conference corners, wasn鈥檛 really a formulated field. Really the first book that came out was by Tricia Rose back in 1994, called Black Noise. That particular book set the field ablaze. It took a few years to get things together because, to do anything academic, you have to have the right things in place.
By 2012 you have professional organizations and fields like communications studies, the Journal of Popular Culture, Black studies, African studies, and the list goes on. They are dedicating portions of their organizations to hip hop culture. Seeing this I thought鈥攚e need to pool our resources together and form a collective group that says we are going to study this. It鈥檚 no different from the American Academy of Religion and no different from the Journal of Youth Ministry.
NP: Back when hip hop studies was forming, hip hop culture was a voice on the margins. Now it is more part of the definition of mainstream culture. How has hip hop changed?
DWH: You have this exponential growth of salaries, and these salaries come with a lot of strings attached. But now some of those artists who are making beaucoup bucks aren鈥檛 talking about the same kind of social issues that some of the underground artists are talking about. That discrepancy is what we鈥檙e trying to study. What causes someone coming from the 鈥榟ood, like a Chingy or a 2 Chainz, to go from seeing all of these issues growing up to only talking about partying, women, and drugs? And what keeps the underground artist the underground artist?
Or think about something like the Harlem Shake. The Harlem Shake is a 35 to 40 year old dance that most people only know from silly YouTube videos. Most people don鈥檛 know the history and context where it was established. In places like Brooklyn and Harlem that were undergoing major innovations, this dance was a form of protest and a form of releasing that would otherwise be put onto the streets.
The golden era [of hip hop] has generally been marked as the years between 鈥�87 and about 鈥�96. Can we have a resurgence of that? That is what is being worked out and talked about in a number of circles.
NP: You mentioned the role of theology in hip hop, and it incorporates two of the five pillars of the journal鈥檚 mission. Why does it play such a big role in hip hop?
DWH: What is the significance of someone like Snoop Lion鈥檚 conversion, or what was Tupac espousing? When you start thinking about any culture, when you鈥檙e talking from an anthropological perspective, you have to include spirituality and religion. It can鈥檛 be left out. There are a multitude of artists wrestling through and trying to work through theological constructs.
If you think about it from a Christian perspective, how is God interacting with this culture? And what is God saying to this culture? You have Tupac and the Outlaws talking about a Black Jesus, and then you have Jizza and Liquid Swords questioning the very foundations of Christianity. In the context of oppression and racism, most of the rappers, particularly if they are Black, have been raised in a fundamental, rigid, Christian home. Now that they are older, and they are a little bit more mature, with all of the things that they鈥檝e seen, what does religion mean in a hip hop environment?
NP: The journal is sponsored by the Save the Kids and the Center for Youth Ministry Studies at 萝莉社. How have they helped?
DWH: Save the Kids is an organization founded by Dr. Anthony Nocella, who was the keynote speaker for last fall鈥檚 conference on the school-to-prison pipeline our center put on in collaboration with North Park鈥檚 School of Education. Essentially he just has a heart and a passion for kids. The foundation itself is not a faith-based foundation, but offers resources and training for all of the issues surrounding youth and injustice.
As far as the Center for Youth Ministry Studies, hip hop is in every single youth ministry in the United States, so we have to be studying it. I don鈥檛 know too many other arenas where you can say that. You could say rock and roll or metal, but they didn鈥檛 really reach into the Black or Brown areas. Jazz, maybe. But hip hop is everywhere. The Center needs to be having those conversations.
NP: What鈥檚 in store for the future of the Journal of Hip Hop Studies?
DWH: Hip hop is very inclusive, so from the beginning we didn鈥檛 want to be exclusive. If we go the traditional route with print and other things, that comes with a cost. The genesis of our idea was to keep this free and inclusive and accessible. If we go the traditional route, it costs a lot more.
We want to be a place for activists, practitioners, and artists, but at the moment it is solely academic. If there is any place that can work across those different groups, it is going to be hip hop. You can bring almost any discipline into hip hop and have a genuine conversation about what it means.
And there is a legion of emerging scholars that are young, talented, on the cutting edge, and really forward-thinking about issues in hip hop studies. At the journal, we want to be able to capture that.
“Sing a New Song” Tour Explores ‘New’ and ‘Old’ from a Musical Perspective
North Park's University Choir and Chamber Singers perform throughout the year under the direction of Dr. Julia Davids.
University Choir and Chamber Singers will tour in Minnesota, March 7–12
CHICAGO (February 25, 2014) — 萝莉社’s will tour Minnesota over Spring Break, performing at six churches, the Covenant Village retirement community, and Minnehaha Academy. The tour’s theme, “Sing a New Song,” features both classical and contemporary sacred and secular music, including works by René Clausen, Baldassare Galuppi, and Claude Debussy, as well as arrangements by Moses Hogan and Randall Thompson.
More than 50 North Park students will participate in the tour, representing the University’s undergraduate and graduate music programs, conducted by , director of choral activities and Stephen J. Hendrickson Assistant Professor of Music, and accompanied by Myron Silberstein. For student musicians, tours provide important performance experience, an opportunity to build close relationships with fellow vocalists and faculty members, and a refreshing perspective on music.
“As a vocalist, touring is something that should be essential,” said Ellie Weihsmann, a first-year and alto in the University Choir. She also participates in a that leads services on campus. “When you can travel to see other places and perform for other people, it provides a different atmosphere and outlook on why you sing and what you love about singing for others.”
“This choir tour will offer undergrads and grad students alike more than a refreshing dose of ‘Minnesota nice,’” said Josh Pritchett, a student who will graduate this May. He sings with both the University Choir and Chamber Singers, and has participated in North Park’s . “I find that these tours offer valuable bonding time for students. Many of us are music students, but there are non-music majors, as well, which makes fellowship with other choristers hard to achieve during the school year.”
For both Weihsmann and Pritchett, the Minnesota destination for the tour brings the particular joy of returning home.
Originally from Duluth, Weihsmann’s family now lives near the Harris Covenant Church stop on the tour. “It is an honor to bring a piece of my college experience to my hometown,” she said. “Minnesota will always be “home” for me, and being able to share a piece of my current life in Chicago with my home is such a treat!”
“Minnesota has a special place in my heart,” Pritchett said. Growing up, he moved a number of times between Minnesota and Wisconsin before finally settling in Minnesota. “It is always a joy to return back home.”
The tour’s theme, “Sing a New Song,” comes from a piece the choirs will sing, “Sing Unto the Lord a New Song” by Srul Irving Glick (1934–2002). This contemporary Canadian composer was also a Jewish canter; his work sets Psalms to music in both Hebrew and English, moving seamlessly between contemporary and classical styles. The piece “juxtaposes new and old” in a unique, moving way, according to Davids.
The entire tour repertoire takes up this theme of exploring the journey between ‘new’ and ‘old,’ Davids said. She hopes this strikes close to home for choir members, and helps them reflect on their journey as students and into adulthood. “In so many ways, students evolve throughout their time at university,” she said. “They begin intending to do one thing and may end up doing something completely different.”
“These are not ‘ordinary’ pieces that an ‘ordinary’ choir will be singing,” said Weihsmann. “These pieces are heartfelt and brilliant, and being sung by students who have a lot of passion for what they do.”
While more well known in Canada, Glick’s compositions are less familiar to American audiences. “I think it’s part of the job of a university touring group like ours to bring something new and balance it with what audiences are more familiar with,” Davids said.
According to Pritchett, this tour offers a wide variety of music to audiences, “from 20th century Hebrew to gospel infused choral pieces. What I’m looking forward to singing are three “Ave Maria” pieces, one of which was composed by our own piano professor, Thomas W. Jefferson.”
The tour will begin with a Friday evening concert at Winnetka Covenant Church in Wilmette, Ill., before the group heads to Minnesota. There, they will perform evening concerts at four churches, as well as participate in Sunday morning worship services at Salem Covenant Church in New Brighton. The group will conclude the tour with an afternoon concert at Covenant Village in Golden Valley. All performances are free and open to the public:
Saturday, March 8, 7:00 pm, at Redeemer Covenant Church, Brooklyn Park
Sunday, March 9, 8:30, 9:50, and 11:00 am, at Salem Covenant Church, New Brighton
Sunday, March 9, 6:00 pm, at Lakeview Covenant Church, Duluth
Monday, March 10, 7:00 pm, at Harris Covenant Church, Harris
Tuesday, March 11, 7:00 pm, at Bethlehem Covenant Church, Minneapolis
Wednesday, March 12, 12:30 pm, at Covenant Village, Golden Valley
On Tuesday, March 11, the ensembles will visit in Minneapolis to conduct a choral workshop for young singers. The choirs will collaborate with the high schoolers to sing “The Lord Bless You and Keep You” during a chapel service.
Engineering Degrees Part of North Park’s Commitment to Science
Two new programs launching Fall 2014
CHICAGO (February 21, 2014) — In recent years, 萝莉社 has focused its efforts on meeting the growing demand for science and health education, training students to be leaders of industries that will help shape the future. This has meant a number of things, from to increased opportunities.
The next stage of this scientific focus will launch this coming fall with the expansion of undergraduate engineering programs at North Park. Students interested in pursuing careers in innovation and technology can receive the engineering education they want with the flexibility of .
“Recently I had a student in my office and I asked them what they want to be doing five years from now,” said , assistant professor of physics. “I asked them, 'What is your dream job?' With these three engineering programs to go with our two options, no matter the student's dream, we have a way to get them there. That’s what a smaller school like North Park can do.”
The first new program is an innovative with 萝莉社 and the .
Students will have the opportunity to participate in the full academic and community life of both universities and, in just five years, earn both a BS in engineering from UIC and a BS in physics from 萝莉社. They will be equipped for immediate careers or for advanced research at the graduate level.
“There is a critical need for people who both understand the technology they develop and can appreciate the cultural, political, and economic impact of that technology on our lives and the lives of future generations,” McDonald said. Having the opportunity to learn critical thinking skills in a traditional liberal arts program at 萝莉社, in addition to engineering training in a premier research school at UIC, prepares students to be effective leaders in designing the cities and industries of the future.
Students will major in either civil or mechanical engineering while at UIC, which is continually ranked as one of the top engineering programs in the country.
For students interested in completing an entire engineering degree at North Park, the Department of Physics and Engineering will offer a starting this fall. Either on its own, or as a complement to another undergraduate major, students will explore how science and technology continually engage and shape different disciplines and professions.
North Park will also continue to offer its flexible , which provides a foundation in liberal arts and critical thinking. With this degree option, undergraduates spend their first three years at North Park before transferring to another engineering institution. At the completion of their engineering degree, they receive both their bachelor's in engineering and a BA in physics from North Park.
These three programs are an important component of preparing students for lives of significance and service in the 21st century. As an engineer, or as a professional with an engineering background, North Park alumni will be reay to lead advances in technology and sustainability that reinforce North Park’s commitment to God and to the world.
Students in the new programs will also be a part of the first class to utilize the . Science and health education will have a new home in the state-of-the-art building that puts technological opportunity at student’s fingertips.
“We are proud to provide a range of options in engineering for students that have an interest and an ability,” said , provost of 萝莉社. “This has long been an area of demand and with our new science facilities we can now serve these students with great resources and wonderful faculty.”
To find out more about the engineering programs, .
Use @npunews to . Learn more .
Next Steps
Explore all the available at 萝莉社.
See the of the Johnson Center, scheduled to open in Fall 2014.
Future Students, University Supporters Tour Interior of Johnson Center
Dave Olson, co-president of construction firm W.B. Olson, Inc., led prospective students and their families through the interior of the building in progress, what he and the University envision as a "center of student activity" once it opens for the Fall 2014 semester.
Building set to open this summer
CHICAGO (February 13, 2014) — Future North Park students and dedicated University supporters got a sneak peek inside the on Friday, February 7. Twenty-four select students and their families, on campus to attend a Trustee Award Event, toured the building’s interior in the afternoon. More than 60 members were given a tour in the evening as part of President’s Club Appreciation Events.
Despite Chicago’s cold winter, the construction schedule has been kept on track. “Our goal was to have the building enclosed by December,” said Dave Olson, co-president of construction firm . “We knew if we could get there and get the heat, we’d be just fine.”
Crews working to complete the Johnson Center’s interior structure have progressed from installing and insulating miles of conduit and plumbing piping to placing drywall and painting classroom and office spaces. With lab equipment arriving later this month, mechanical connections beginning, and floor completion scheduled for March, the building is on pace for a July move-in and to open for classes in August.
Incoming students got a feel for how the Johnson Center will be a University hub, with floor-to-ceiling windows in classrooms, labs, and gathering areas offering impressive views of the campus and city. “We envision that this will be a center of student activity,” Olson said as he led the tour through the building’s two-story atrium lobby.
Vice President for Student Engagement walked students through her vision of how the Johnson Center, which will house new Center for Student Engagement Offices, will facilitate campus collaboration among many areas of student service, including , , , and . “We’re excited to partner with science faculty to be able to serve you inside and outside of class,” she said.
Koslow Martin explained that all students will be able to use the Johnson Center as a resource in many different areas of community life, made easier by its physical location in the center of campus. She encouraged them to visit the Center for Student Engagement when they stop by the Johnson Center’s café. “Grab a bagel, then come see us.”
Professor of Chemistry led students through classrooms and labs, describing the cutting-edge equipment that students will be able to use. “You’ll be able to attend lectures together in the classroom, then do your lab work in smaller groups at laboratories in the same building,” he said. Labs for the , , , and programs were designed in consultation with faculty, Rienstra-Kiracofe said. The department will also move into the Johnson Center.
Students and their families stood in the future lecture hall in the Johnson Center as they learned about the many ways advanced technology will be incorporated into their learning experiences in the building.
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In addition to interactive display screens, HDTVs, and smart display podiums, Rienstra-Kiracofe said, the Johnson Center’s labs and classrooms will include lecture capture technology that will allow class lectures to be recorded, then posted online for students’ further review. A new advanced anatomy cadaver lab will include a hospital-grade dissection light and camera.
Touring groups were also given a glimpse of the building’s energy-efficient design and construction process. The Johnson Center has submitted for LEED Gold-level certification from the U.S. Green Building Council, said Olson, and he expects to exceed those goal standards. The design and construction teams meet monthly on the status of LEED submittals and progress.
The LEED goal is for 10 percent of materials being used in construction of a building to be manufactured from recycled material, with 40 percent of materials mined or manufactured within 500 miles. To date, nearly 23 percent of construction materials for the Johnson Center are made from recycled materials, and nearly 48 percent of materials are mined or manufactured regionally. Eighty-two percent of the construction waste generated by the building has been diverted from landfills; the project goal is 75 percent.
Next, Olson said, he is eager to resume outside activity on the Johnson Center, which should begin again in two months. “The public spaces have to wow users of the building. The lobby area and the café—the places where people are going to hang out are going to be great,” he said. “But one area people are going to be thrilled by is the outside area,” he continued, looking to spring. “It’s pretty elaborate landscaping out there, and it’s hard to envision with all of the snow.”
I Go On Singing: Paul Robeson's Life in His Words & Songs
An Evening with Anthony Brown, Baritone
Thursday, February 13, 7:30 pm
Anderson Chapel, 萝莉社 5159 North Spaulding Avenue
A lost American hero re-discovered through his music and archival video.
As an All-American athlete, recording artist, and star of the stage and screen, Paul Robeson was once the best-known African-American entertainer in the world. After his emergence in the 1930s, Robeson became an early champion of civil rights. He traveled the world promoting peace, but trouble lay ahead, and ultimately he sacrificed his career and everything he’d accomplished by challenging the dominant culture’s status quo.
The story of this all-but-forgotten American hero will come alive on February 13 at 萝莉社 in a rousing new 90-minute song-filled presentation, I Go On Singing: Paul Robeson’s Life in His Words & Songs, performed by the gifted American baritone and international promoter of peace, Anthony Brown. Accompanied by faculty member on piano, Mr. Brown will reveal Robeson as an American patriot and towering figure of the 20th century. Told in Robeson’s own words, using many first-hand accounts from his autobiography, Here I Stand, the show traces his humble beginnings as a preacher’s son in Princeton to his international celebrity and as tireless fighter for human rights. The late folk legend Pete Seeger makes three video guest appearances discussing his friendship with Robeson and the music they shared.
I Go On Singing, written by Andrew Flack, delivers equal parts historical documentary with a live concert experience. Musical numbers range from Spirituals to Broadway, and include original arrangements of Robeson favorites like Ol’ Man River, Sometimes I Feel Like a Motherless Child, Shenandoah, Scandalize My Name, It Ain’t Necessarily So, All Through the Night, Joe Hill, Deep River, and many others.
This concert experience is free and open to the public, and is in conjunction with this year's , "What Is Peace?" as well as 萝莉社’s celebration of Black History Month.
萝莉社 the Artist
Anthony Brown
Internationally acclaimed baritone Anthony Brown is a promoter of peace and goodwill around the world. Anthony uses music to promote peace and reconciliation in countries where peoples’ lives are torn by war and civil strife.
His peace work has taken him to political hot spots such as Bosnia, Northern Ireland, China, Japan, Moldova, Ukraine, Russia, Uganda, South Korea, Ethiopia, and Colombia. In each venue, Anthony’s stirring performances connected people across race, language, religion, and culture—and helped them focus on how all one in the family of humanity.
In addition to his international peace work, Anthony is one of today’s most dynamic performers who sings a wide range of crowd-pleasing vocal repertoire, from musical theater and African American spirituals, to opera, oratorio, and art song. He is artist in residence at Hesston College, Hesston, Kan., and represents the college at various events across the United States.
Additional Events
In addition to the Thursday evening presentation, Mr. Brown will participate in several other campus events during his visit:
Chapel Service
Wednesday, February 12, 10:30 am
Anderson Chapel
Honoring the Ancestors: Taking the African American Spirituals Around the World
Wednesday, February 12, 7:00 pm
Anderson Chapel
(Workshop with members of the 萝莉社 ; open to the public)
Performance and Social Change
Thursday, February 13, 1:30–3:00 pm
(Undergraduate class; open to the public)
For more information, please contact Karen Dickelman via email or by calling (773) 244-5265.
Author tomgabrysiakPosted on Categories Stories
